Amongst the craziness of life, the universe, and everything (specifically a 25 point project taking 10 hours to do right (see
this video) and the ups and downs of midterms) I was able to finally see Les Misérables
a couple weeks ago when a friend invited a group of people to go. This
means I am somewhat qualified (at least capable) of giving an opinion
about the movie. On BYU Memes, there was a meme/comment thread that described reasons why certain people didn't like Les Misérables for several different reasons. Being an admin for the page, I felt like I needed to watch
the movie to truly understand why the movie was or was not the greatest
thing since Wicked to adequately give an opinion. Among the sea of
opinions about why or why not Les Misérables
is a good musical or a good movie, mine is of the positive, and
(because it is me) comes from a perspective of a social scientist.
I think the reason why we generally like Les Misérables
so much is because we can connect to each character emotionally in some
way, whether we have experienced similar emotions or we know someone
who has. We develop a deep connection with the characters, and when they
lead intertwining lives where one good or bad intention affects the
others around them for good or for bad (and, in most cases, it is for
the worse), it is heart-wrenching. The musical or movie does a really
good job at making you deeply study the characters' lives for yourself
and see the complexity of each individual human's thoughts and how much interdependence is portrayed with actions. In a nutshell, here are some examples:
- You can't see Cosette and Eponine
fully happy at the same time because they like the same man (and what
girl has not been on both sides of that coin, I ask you.)
- The good intentions of Jean Valjean get besmirched by a complicated mess of gossip, pride, lust, resentment of rejection, Javert's
insatiable sense of false justice and mistrust of full repentance
(because of the cynicism that has grown inside him from criminals not
changing), and the context of government hostility and economic
depression.
- The girl saved from hard labor and child abuse (Cosette) grows up isolated and horribly naïve
and somewhat resents her rescuer and only father she's really known who
has only tried to keep her safe the best way he knew how. Perhaps he
was a helicopter parent, but perhaps a little paranoia, considering Javert's history, was what was needed.
- All of these events (and more) happen while Jean Valjean
has a horrible guilt complex and build up of anxiety about being a
changed man, and he is encouraged to have low self-esteem until his
dying day, by Javert's false sense of justice.
- Ironically
enough, the battle scenes at the bunkers, where half of the people
worth noting die, have some of the least amount of effect on the
interdependence of individual story lines we see in the whole movie (at
least if we compare the on-screen time of different events.) We see the
end of a lot of people, but the only one the deaths really affect is
Marius (and, perhaps, Javert, depending on your perspective, but it is more psychological warfare with Jean Valjean
to me, and somewhat detached to the battle scene at hand.) I guess I'm
also not including the audience being affected, as we bawled through the
innocent deaths that were for naught, but you must remember that we
aren't really in the movie, even though it may seem like that
emotionally.
In the end, the more I think of it tonight, I
think we can also see our daily conundrums and faults embodied within
the characters. We know the difficulty of making hard decisions in our
lives, and know that agony. We see ourselves in Javert's
battle with what is justice and mercy, and knowing who to trust, what
things are going with the letter and spirit of the law, and how much we
fully believe in repentance for others and ourselves. I'm going to
generalize this next bit to everyone, though I'm not sure how far the
reach of this is, so bear with me. We also can see ourselves through
Jean Valjean, as much
as we hate to admit it, because we also can't let our former actions go
sometimes when evaluating ourselves as a person. We see ourselves as
broken, even if we say we believe in entire repentance. When people tell
us that we are wonderful, we can't accept that because of our glaring
past, present faults, and we hold on to negative opinions of ourselves
like a pair of old duct-taped, tattered, and ill-functioning shoes
instead of letting ourselves break-in the nice ones because we're afraid
of dirtying them. We believe the man saying he's fighting for justice
is telling the truth; perhaps because he personally believes that is
what is happening helps convince ourselves, even if we know that he
won't win in the end. We need to realize that the conviction of negative
forces does not make them right, and our self doubts and secret stashes
of self-resentment can be taken away by hope and trust in the atonement
of Christ. He bore all things (not just our sins), and he did it so we
could change for good, not just erase our mistakes or duct tape the
holes. Believe it as much as He does: let's all learn a lesson or two
from some of the unnecessary self-deprecation and let's be a little more whole.
I really like your comments. It made me think about the movie in a little different light. Great insight.
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